"Breaking All The Rules" always has been PETER FRAMPTON's lesser known / heard album in part due to the record company clumsiness to properly promote the record and because Frampton indeed broke some rules here; he decided to make a rocking LP instead a Top 20 hit generator.
Of course there's a brilliant sweet melody in the slow, touching 'Going To L.A.' which should have been a hit in the charts, but most the material here rocks, and pretty hard.
For this matter Frampton enlisted a terrific back-up band including the half of Toto; Steve Lukather & Jeff Porcaro.
Lukather trade some killer licks with Frampton (the title track is awesome) but also contributing with his trademark, distinctive rhythm guitar, while Porcaro provide his unique 'groove-touch' all over the recording.
A proof of the guitar driven nature of this album is opener 'Dig What I Say', starting the record in a rocking mood with solos all over it, something unusual for a Frampton release. Here he also uses guitar synth to good effect.
The cover of 'I Don't Wanna Let You Go' is done in an absolutely classic Frampton vein but even here the guitar swirls like never before. Check Porcaro's hi-hat fills here, a master in this game.
Written by the Alessi Bros 'Rise Up' is another tune with a hit potential, there's an elegant midtempo on 'Wasting The Night Away', a rocky version of the classic 'Friday On My Mind' (also done by Gary Moore), while 'Lost A Part Of You' is the ballad on the album with some hints to Frampton's biggest hit I'm In You.
For the end we have the aforementioned title track 'Breaking All The Rules', a seven minute tour de force plenty of killer riffs, a melodic verse and a superb Frampton / Lukather duel in an almost hard rocking piece.
This is the 2005 release of the album for the first time on CD, and there's has been some controversy about the 'remastering' statement.
Obviously you need to digitally master the original analog tapes for a digital transfer, but that's not necessarily a re-mastering. I have read in some audiophile forums some people arguing the album was digitized 'as it is', some saying it was indeed re-mastered.
To my ears, this 2005 'Breaking All The Rules' has been re-mastered, with some 'air' added to the sonic atmosphere, but overall preserving the original feel of the LP.
Anyway, this baby rock, and rocks good.
01 - Dig What I Say
02 - I Don't Wanna Let You Go
03 - Rise Up
04 - Wasting The Night Away
05 - Going To L.A.
06 - You Kill Me
07 - Friday On My Mind
08 - Lost A Part Of You
09 - Breaking All The Rules
Peter Frampton - vocals, guitar, keyboards, guitar synthesizer
Steve Lukather - guitar, background vocals
Jeff Porcaro - drums
John Regan - bass guitar
Arthur Stead - keyboards, background vocals
Ed Mantleone - add. guitar
PETER FRAMPTON - Breaking All The Rules [remastered]
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Thursday, August 18, 2016
PETER FRAMPTON - Breaking All The Rules [remastered] (1981)
Posted by Camelblue at 11:33 PM 0 comments
Labels: PETER FRAMPTON, PORCARO BROTHERS, STEVE LUKATHER
Monday, February 3, 2014
PETER FRAMPTON - The Art Of Control (1982) Remastered
PETER FRAMPTON is mostly knows for his seventies hits, however during the next decade the British released a bunch of very good albums, being the AOR oriented 'Premonition' my favorite, and also 'When All The Pieces Fit', already presented HERE.
But there's a 'black sheep' in his '80s discography: the 1982's "The Art Of Control". Perhaps because it's mentioned by Frampton itself as his least favorite own album, the record never was issued on CD until 2008.
This happened in Japan with this remastered SHM-CD which sounds superb, packaged in a paper sleeve reproducing the original LP artwork.
According to Peter, his record company forced him to make a commercial, radio-friendly album that he felt didn't sound like a 'Peter Frampton album'. I respect his thoughts, but for me "The Art Of Control" is great.
Great because it's totally '80s. Just take a look at the artwork cover: is it there something more '80s than that?
Produced by Eddie Kramer (Jimi Hendrix, Zeppelin, Kiss), the intention was to craft a bunch of rockers easy to the ear. These songs are a cross between a young Rick Springfield, Billy Squier and Eddie Money, while sonically at places reminds me Ace Frehley's / Kiss album, not strange as Krammer produced it as well.
"The Art Of Control" is fun and typically Eighties, and I like it a lot. My wasted vinyl is a proof of it.
01 - I Read The News
02 - Sleepwalk
03 - Save Me
04 - Back To Eden
05 - An Eye For An Eye
06 - Don't Think About Me
07 - Heart In The Fire
08 - Here Comes Caroline
09 - Barbara's Vacation
Peter Frampton - vocals, guitar, keyboards, guitar synth
Mark Goldenberg - guitar, keyboards, background vocals
John Regan - bass
Harry Stinson - drums
Ian Lloyd, John Dworkow - background vocals
Eddie Kramer - background vocals, producer
PETER FRAMPTON The Art Of Control SHM-CD
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Posted by Camelblue at 10:27 PM 0 comments
Labels: PETER FRAMPTON
Saturday, September 17, 2011
PETER FRAMPTON - When All The Pieces Fit (1989)
British Peter Frampton broke all the charts with the amazing double album 'Frampton Comes Alive'. I grew up listening this jewel, and followed his career since then.
During the '80s Peter released only four discs, being the 1986 'Premonition' my favorite, his more AOR oriented ever.
But the last of the bunch in that decade, "When All The Pieces Fit", comes close in my preferences.
This CD must be the more obscure and unknown of his discography, and strangely, unnoticed between the AOR community. Style-wise Contemporary 'adult' Rock & Pop yes, but definitively with an aorish flavor, it's a '89 album...
All this year's characteristics are here; top class session musicians, polished lush production, awesomely bright compressed drums, keyboards, 'that' Top Gun-like rhythm guitars and the obligatory melodic guitar solo.
And of course, tons of harmonic vocals.
One of my picks is the cliché (yes, cheesy, so what?) but wonderful AOR piece "Hold Tight", complete with punctuating keyboards and heavenly backing vocals. Why this track isn't listed between the best '89 songs of the genre is beyond me.
The catchy "More Ways Than One" has a great riff, the lite AORish "Holding On To You" has a commercial trademark Frampton sing-along chorus and on "My Heart Goes Out To You" Peter sounds as the good side of Steve Winwood.
"People All Over The World" reminds me Mr. Mister (don't ask me why), on "Back To The Start" Frampton rocks in his own way, playing his best guitar solo. Love the rhythm section on the latter.
"Now And Again" is another favorite, this semi-midtempo has a terrific chorus, while "This Time Around", the one and only ballad on the entire recording has a charming atmosphere.
I bet most of you never heard about this very good album awesomely produced by guru Chris Lord-Alge (one of my all time favorites).
As far I know, "When All The Pieces Fit" is not an easy CD to find, surely out of print.
Ripped at maximum quality including full artwork.
01 - More Ways Than One
02 - Holding On To You
03 - My Heart Goes Out To You
04 - Hold Tight
05 - People All Over The World
06 - Back To The Start
07 - Mind Over Matter
08 - Now And Again
09 - Hard Earned Love
10 - This Time Around
Vocals, Guitars, Bass, Synths: Peter Frampton
Bass: Nathan East
Percussion: Lenny Castro
Drums: Steve Ferrone, John "J.R." Robinson
Synthesizer: B.A. Robertson
Backing Vocals: Danny Wilde, Mark Williamson, Rick Willis
Engineer, Mixing, Producer, Synths: Chris Lord-Alge
Mastering: Bob Ludwig
PETER FRAMPTON - When All The Pieces Fit
Posted by Camelblue at 6:52 PM 0 comments
Labels: PETER FRAMPTON